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The golden hour time5/1/2023 For Adobe Photoshop, check out this tutorial to learn how to merge HDR photos. “You can blend different exposures to compensate for the much brighter sky in comparison to a darker foreground,” explains Schwindt. One technique used by landscape photographers is to take multiple photos at different exposures and combine them in Lightroom. “I’m always shooting to edit - always thinking about how the photo’s going to look once I bring all the colors up,” adds Green. That will impact what you do in post-processing,” advises Schwindt. “Have a vision for how you want the photograph to turn out. If you’re having trouble keeping your highlights from being blown out, you can edit for results you can’t get in-camera. Post-processing tools open up a world of possibilities for photographing the golden hour. It’ll illuminate the person,” says Tryforos. Using fill flash can really make a difference. “It can be hard to include the sky because the exposure of it and the subject are two different things. The best cameras for the job will typically be full-frame DSLRs.įlashes or reflectors help fill in the shadows on your subject’s face for a more evenly lit exposure. For best results, use a camera with a high dynamic range, which measures how many stops of exposure it can capture in a single frame. To pull up deep shadows in post-processing, you need to expose your photo properly, but your camera also needs to capture the necessary information. As the sun sets and less light is available, the ability to recover deep shadows in underexposed parts of your photos becomes increasingly important. “JPEG files make editing and processing photos more difficult because you have less data to work with,” Schwindt explains. Learn how to use shadow and highlight clippings in Adobe Lightroom and how to use adjustment brushes in Lightroom. Pulling up shadows and pulling down highlights can help restore balance between the brightest and darkest parts of an image. Green recommends using an adjustment brush to pull up shadows on individual parts. Raise your shadows and pull down your highlights. There are a number of different ways to combat this: “You don’t have a ton of light on their face, so if you’re not exposing your camera properly, you can lose all of the beautiful highlights on their skin,” explains photographer David Green. Shooting into the sun with your subject’s back to the light will produce a beautiful backlit effect, but it leaves your subject’s face in shadow. Working with directional light can be tricky.įinding a balance between the sky and darker areas of a scene can be hard even during the golden hour.
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